Lyrics /
shots
“You think
it’s bad, that I lost myself in the forest.”
Wide, straight angle – slow track forward (dolly). The shot
fades in as the lyrics begin making the sound synchronous to the visuals we
will be involving the model/subject and the indoor installation set up.
“You should be glad that I came one time.”
As this lyric finishes, the straight tracking will be
altered. And begin roaming around the subject interweaving with the
installation.
“You think it’s bad that I got lost in the forest,
yeah”
As this lyric finishes, the straight tracking will be
altered. And begin roaming around the subject interweaving with the
installation.
“You should be glad that I came one more time”
As this lyric finishes, the straight tracking will be altered.
And begin roaming around the subject interweaving with the installation. During
the build-up of the momentum the camera angle will be altered becoming a low
angle empowering the subject just as the beat drops.
(Beat drop)
insert shot from Norway introduced
by a light flash. And possibly writing on visuals. During this shot the beat becomes powerful and fast, the visuals
will correlation synchronously to the score through post-production.
“You think it’s bad that I lost my mind
through the forest”
At this point, the score becomes slower – reverting to its
original pace. To contrast the previous powerful pace, we will once again
revert to slow paced movement however, the set up will be altered. The subject
will not be in the shot at this point. The projection will be on the leaves of
the plant.
“You think
I’m mad…cause it took my time”
At this point, there will slow motion abstract imagery, slow
motion visuals of flower petals. Hopefully, the projection will show on up on
the petals producing shadows in the background. This will be a close up
straight angle shot.
“You think
it’s bad that I’m here in the forest”
The visuals will quickly shift back to the original
installation set up featuring the subject who will be seen as uneasy. There
will be layering in post-production where the subject is the only aspect of the
shot that is moving. We will affect the footage timing in postproduction and
layer in Final Cut Pro.
“You should be glad… got a peace of mind”
(Beat drop)
insert shot from Norway introduced by
a light flash. And possibly writing on visuals.
“You should
be glad that I got lost in the forest”
There will be a tracking out (reverse of the opening scene)
in a wide shot, fast pace building up momentum into a close up of the props –
plant.
“Move my
mind inside the forest… (Unrecognisable murmur duration: 24 seconds)”
During the 24 seconds there will be a mash up of inserts, all
fast pace and vigorous. Some of the shots may be disturbing as there will be
shots of plant pots smashing/cutting leaves on plants.
“IT’S MY
FOREST” X5
Light flickering and strobe lighting alternating between long
shots and close ups/extreme close ups of the model.
